Sunday, October 24, 2010

Day 10 - Kuhmo International Chamber Music Festival 2010

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The sun is back.






Vladimir Mendelssohn
Artistic Director




Vladimir Mendelssohn, the son of a Romanian family of musicians, studied the viola and 
composition at the Music Academy in his hometown, Bucharest. He has appeared throughout the 
world as a soloist, chamber musician, composer and arranger, and is in great demand at countless 
international festivals, performing with the world’s finest musicians.

Mendelssohn’s engagements have taken him to the United States, almost every country in Europe 
and to Russia, Israel, Tunisia, Japan, South Korea, Hong Kong and South America. He has 
performed in renowned halls such as Carnegie Hall New York, Théâtre des Champs Elysées and 
Salle Gaveau in Paris, Berlin Philharmonie, Herculessaal Munich, Wigmore Hall London, 
Concertgebouw Amsterdam, Musikverein Vienna, Moscow Conservatory, Tonhalle Zurich, and 
Philharmonie Bucharest.

He is a regular guest at festivals such as the Casals Festival in Prades, Kyushu Chamber Music 
Festival and Lockenhaus, and has made numerous recordings for established labels.

A prolific composer, he has produced works for solo instruments, mixed choir, symphony and 
chamber orchestra. His chamber works include four string quartets, “Nova” for clarinet, string trio, 
piano and percussion, and “Don Aldebarran” for seven stringed instruments, piano and actor.
He has also composed music for ballet, stage and screen.

A sought-after teacher, Mendelssohn is Professor of chamber music at the Paris Conservatoire 
National Supérieur de Musique and also teaches in The Hague, Essen and Bologna. Moreover, he 
gives masterclasses the world over.

Vladimir Mendelssohn has been artistic director of the Kuhmo Chamber Music Festival in Finland 
since 2005.

(gaia-festival.com)










































James Wilson, Cellist


James Wilson has become well-known as a skilled player of both the modern and baroque cello. His repertoire 
extend from Gabrieli to contemporary works written specifically for him. He has performed chamber music and 
given recitals at Carnegie Hall in New York, at Vienna's Musikverein, at the Cologne Philharmonic Hall and at the 
Kennedy Center. An acclaimed chamber musician, he has been a guest at several festivals, including New York's 
Mostly Mozart event and the Aspen Music Festival in Colorado. James Wilson has played in the Shanghai and 
Chester Quartets and made several recordings with both ensembles. He teaches cello and chamber music at New 
Yorks' Columbia University.







Pekka Kuusisto and Iiro Rantala by the lake.










TUESDAY 20.7.

Lines in the Sand

39 11.00 Kuhmo Church €14.50/10.50

Bach Roots

Dietrich Buxtehude (1637–1707):
Chaconne in D minor 
Pedrini


J.S. Bach (1685–1750):
Suite No. 6 in D, BWV 1012 for Solo Cello 
Helmerson


Johann Pachelbel (1653–1706):
Canon and Gigue in D, T. 337 for three Violins and Basso Continuo 
Heikinheimo, Mitchell, V. Szigeti, Wilson, Schmidt


J.S. Bach:
Concerto in D minor, BWV 1060 for Oboe and Violin
Mitchell, Gleisner, Hughes, Petitdemange, Meszaros, Wilson, Lindroos, Schmidt



40 13.30 Kontio School €14.50/10.50

Johann Michael Haydn (1737–1806):
String Quintet in C, P. 108
Kuusisto, Heikinheimo, Gotlibovich, Deschamps, Lee


Although Michael Haydn was allowed to eat in the officer’s canteen and Wolfgang only in the soldiers’, Coloredo’s two employees had great respect for each other. Maybe too great, since Mozart borrowed all his ideas for his Quintet in C from that by Michael. Or maybe Mozart was a prince after all. When Michael was unable to finish the duos for violin and viola he had been commissioned to write for the stern archbishop, he wrote them under his own name, just to help out. For quite a while the duos were known and performed as Haydn’s. Only time, the merciless judge of substance and quality, has drawn a line in the sand. The Mozart duos became immortal and Michael's gained only the respect they deserve.

W.A. Mozart (1756–1791):
String Quintet in C, K. 515
Roussev, Picard, Imai, Maijala, Cohen


41 15.30 Lentiira Church €14.50/10.50

W.A. Mozart (1756–1791):
Duo in G, K. 423 for Violin and Viola 
Zhu, Gotlibovich


Duo in B flat, K. 292 for Bassoon and Cello
Luoma, Helmerson


Duo in B flat, K. 424 for Violin and Viola 
Shaham, Gotlibovich


42 18.30 Kuhmo Arts Centre €19.50/14

Béla Bartók (1881–1945):
Contrasts, BB 116 for Violin, Clarinet and Piano 
Shaham, Lethiec, Rucli


Carlo Gesualdo di Venosa (1560–1613):
Responsorio della tenebrae - Tristis est anima…
Hata, Katajala, Torikka, Mendelssohn, Donin, Lehto




Johannes Brahms (1833–1897):
Trio in E flat, Op. 40 for Violin, French Horn and Piano 
Joulain, Roussev, Jumppanen


Intermission

The feeling of tragedy and of contained, unostentatious sadness connects like an invisible line in the sand the slow movement of the Brahms Trio to the four mesto movements of Bartok's No. 6. Here is a masterpiece conceived to stop at the edge of an abyss with two suspended gestures: resignation (the viola stops playing) and a farewell caress (the cello pizzicati). It was to be his last quartet…

Béla Bartók:
String Quartet No. 6, Sz 114
Enescu Quartet


43 21.15 Kontio School €14.50/10.50

Sandcastles
A Carte Blanche for Pekka Kuusisto 
Kuusisto, Rantala




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