.
Day 4: Australian dress code for the sweltering Kuhmo heat during the first week:
Kontio School - one of the four venues - after concert: Martti Rousi, cellist, and Valeria Resjan, piano. |
Violinist Elina Vähälä - stylish as ever - even on the bicycle! |
In between concerts: musicians (cellist David Cohen from Belgium), staff, audience - all together... |
Back to Kontio school for the next concert. |
Kuhmo Chamber Music Festival Featured Composer 2010 -
Kaija Saariaho:
Life and work
Kaija Saariaho was born in Helsinki and studied music at the Sibelius Academy there. She later studied in Freiburg (under
Brian Ferneyhough and Klaus Huber) and at IRCAM in Paris. Most critics, however, cite spectral music composers Gérard
Grisey and Tristan Murail as her largest influences. Her work in the 1980s and 1990s is marked by its emphasis on timbre
and use of electronics alongside traditional instruments; Nymphéa (Jardin secret III) (1987), for example, is for string quartet
and live electronics. It contains an additional vocal element: the musicians whispering the words to a poem by Tarkovsky. In
the late 1990s Saariaho began to expand beyond electronics, often writing strictly acoustic pieces, focusing increasingly on
melody.
Brian Ferneyhough and Klaus Huber) and at IRCAM in Paris. Most critics, however, cite spectral music composers Gérard
Grisey and Tristan Murail as her largest influences. Her work in the 1980s and 1990s is marked by its emphasis on timbre
and use of electronics alongside traditional instruments; Nymphéa (Jardin secret III) (1987), for example, is for string quartet
and live electronics. It contains an additional vocal element: the musicians whispering the words to a poem by Tarkovsky. In
the late 1990s Saariaho began to expand beyond electronics, often writing strictly acoustic pieces, focusing increasingly on
melody.
Saariaho was influenced by post-serialism, but she grew to find it too restrictive: "You were not allowed to have pulse, or
tonally oriented harmonies, or melodies. I don't want to write music through negations. Everything is permissible as long as
it's done in good taste."
tonally oriented harmonies, or melodies. I don't want to write music through negations. Everything is permissible as long as
it's done in good taste."
She has won the Prix Italia and, in 1989, the Prix Ars Electronica; received commissions from Lincoln Center for the Kronos
Quartet and from IRCAM for the Ensemble Intercontemporain; and has been the subject of a pan-European collaborative
project to produce a CD-ROM Prisma about her work.
Quartet and from IRCAM for the Ensemble Intercontemporain; and has been the subject of a pan-European collaborative
project to produce a CD-ROM Prisma about her work.
In 2000 she won the Nordic Council Music Prize for the work Lonh for soprano and electronics.
She was awarded the title Musician of the Year 2008 (announced by Musical America, the US publishing company for
performing arts), for being "among the few contemporary composers to achieve public acclaim as well as universal critical
respect".
performing arts), for being "among the few contemporary composers to achieve public acclaim as well as universal critical
respect".
Invited by Walter Fink, she was the 20th composer featured in the annual Komponistenporträt of the Rheingau Musik
Festival in 2010, the second female composer after Sofia Gubaidulina. Music included Sept Papillons for cello solo (2000),
played by Anssi Karttunen, and Quatre Instants for soprano and piano (2002), performed by Pia Freund and David Lively.
An orchestral concert with the SWR Sinfonieorchester, conducted by Susanna Mälkki, featured Aile du songe, a flute
concerto with soloist Camilla Hoitenga, and Laterna Magica.
Festival in 2010, the second female composer after Sofia Gubaidulina. Music included Sept Papillons for cello solo (2000),
played by Anssi Karttunen, and Quatre Instants for soprano and piano (2002), performed by Pia Freund and David Lively.
An orchestral concert with the SWR Sinfonieorchester, conducted by Susanna Mälkki, featured Aile du songe, a flute
concerto with soloist Camilla Hoitenga, and Laterna Magica.
Kuhmo Church - another festival venue... |
The Festival Cafe - with extremely hardworking staff serving great 'fast food' such as salmon steaks and elk fries. |
Kuhmo Arts Centre details.
A group of stage hands arriving for yet another concert assignment, and what a brilliant job they did! |
Kuhmo Art Centre:
The youngest Kuhmo Festival 2010 performer, cellist Joona Pulkkinen - we are bound to hear a lot of him (and his playing) in the future! |
Two pianists having a chat: Irina Zahharenkova and Paavali Jumppanen. |
An actual scene outside during one of the late concert intervals in the Arts Centre. |
And back 'home' after midnight |
WEDNESDAY 14.7.
10 11.30 Kuhmo Church €19.50/14
The Bach Family
Johann Christoph Bach (1642–1703):
Chaconne from the cantata Meine Freundin, du bist schön
Haller, Gringolts, Rohde, Donin, Maijala, Wilson, Schmidt
Wilhelm Friedemann Bach (1710–1784):
Pieces for Clock Organ
Pedrini
J.S. Bach (1685–1750):
Suite No. 1 in G, BWV 1007 for Solo Cello
Maintz
Intermission
C.Ph.E. Bach (1714–1788):
Fantasy and Fugue in C minor, H 75.5
Pedrini
J.S. Bach:
Suite No. 2 in D minor, BWV 1008 for Solo Cello
Geringas
J.C. Bach (1735-1782) - W.A. Mozart (1756–1791):
Piano Concerto in D, K. 107/1
Wass, Hughes, Petitdemange, Lehto, Lindroos
P.D.Q. Bach (1807–1742):
Encore: Aria from the Sonata for Viola Four Hands and Harpsichord, S. 440
Bogino, Vähälä, Deschamps, Schmidt
11 15.00 Kuhmo Arts Centre €19.50/14
Haydn
Joseph Haydn (1732–1809):
Baryton Duet in D, Hob. X:11
Baryton Duet in D, Hob. XII:3+5
Geringas, Maintz
Baryton Trio in D, H. 11/97
Geringas, Rohde, Maintz
Intermission
Johann Michael Haydn (1737–1806):
Little Organ Pieces for Organ
Pedrini
Joseph Haydn:
Piano Trio No. 25 in C, Hob. XV: 27
Yang, Lehto, Kudritskaya
12 18.00 Kontio School €19.50/14
The Mendelssohns
Felix Mendelssohn (1809–1847):
Lied ohne Worte in D, Op. 109 for Cello and Piano
Rousi, M. Kärkkäinen
Fanny Mendelssohn (1805–1847):
Das Jahr for Piano
Mikkola
Arnold Mendelssohn (1855–1933):
Violin Sonata in C, Op. 71, 1st movement
Mikkola, Yang
Alfred Mendelssohn (1910–1966):
String Quartet No. 8
Meta4
Intermission
Felix Mendelssohn:
String Octet in E flat, Op. 20
Shaham, Tikkanen, Heikinheimo, Pensola, Kilpeläinen, Stasevska, Lee, Djupsjöbacka
13 21.15 Kuhmo Arts Centre €19.50/14
J.S. Bach (1685–1750):
Suite No. 3 in C, BWV 1009 for Solo Cello (arr. for Cello and Piano by R. Schumann)
Maintz, Zahharenkova
Robert Schumann (1810–1856):
Three Romances, Op. 94 for Clarinet and Piano
Sundqvist, Mikkola
Clara Schumann (1819–1896):
Piano Concerto No. 1 in A, Op. 7 (arr. for Piano and String Quintet by R. Schumann)
Kudritskaya, V. Szigeti, Yang, Mendelssohn, Djupsjöbacka, Simon
Intermission
Robert Schumann:
Piano Quintet in E flat, Op. 44
Resjan, Gringolts, V. Szigeti, Riebl, Rousi
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