Wednesday, June 2, 2010

Consumer Temple - Broken Icon, Gary Deirmendjian

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I'm a proud owner of the above sculpture 'Paul' by my friend, Sydney artist Gary 
Deirmendjian (website). Gary is highly accomplished photographer, video artist, 
and an intuitive sculptor of pieces often in monumental proportions.

A few days ago I received an e-mail from him, where he told me the good news 
of one of his large scale sculptural installations (consumer temple - broken icon) having 
been selected for a publication called 'Container Atlas', a major book with international focus of 
advances in container architecture, by Gestalten (Berlin, 2010):












Writes Gary:

'Amongst the multitude of international architectural projects, I'm only one of two artists whose 
works are featured. As you may appreciate, I'm not seeking to transform the container's use 
into another mode of utility, but am rather aiming to present it as an active element within the 
suggestive field of a given work, for its symbolic and aesthetic value, in an actual sense.'



container atlas cover





Here are some images of the work in question, with catalogue details:


consumer temple - broken icon 2009

:::: work created for The Armory Exhibition 2009, Newington Armory, NSW 
:::: installation consisting of a 20’ shipping container; hardwood timber pallets; cash register & other
:::: 8m (height) x 3.5m x 3.5m
:::: 5 tonnes (total) 

artist's statement

A shipping container and timber pallets are combined to form an upright architectural proposition.

The work sits singular in the green expanse in a state of stable decay.A narrow entrance leads into 
an intimately walled enclosure offering no out other than the way of entry. Through the walls only 
fragments of the outer world are discernible. In the relative darkness the eye is drawn up into the airy 
chamber high above, where light beams through small windows onto a centrally suspended cash 
register. It hangs beaten, broken and looted.

While the architecture may suggest a foreign house of worship, its deity and practices, however, are 
imaginable and may feel oddly familiar. In its dilapidated state, it may be read as an abandonment 
scenario, where the faith that has brought this house into being is clearly no longer 
dispensed here.



















1 comment:

  1. You're full of surprises my friend!

    Thank you Esa for your care and thoughtfulness.

    Gary

    ReplyDelete

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